On September 4, 2024, Anton Bruckner would have been 200 years old. On this occasion, the Fernwood String Quartet is going to perform Bruckner’s famous String Quintet in F Major, his only major work for chamber music. This wonderful music - less ‘bulky’ than his symphonies, but still showing off the essence of his composition techniques - was written in 1878/79, in between his 5th and 6th symphonies.

The quintet presents a captivating insight into the composer's lesser-explored chamber music repertoire. Amidst its intimate setting for two violins, two violas, and cello, one can discern Bruckner's admiration for Richard Wagner, whose influence significantly shaped Bruckner's musical language.

The quintet unfolds in four movements, each a testament to Bruckner's mastery in handling smaller ensembles while retaining his distinctive harmonic palette and emotional depth.

The opening movement introduces a tapestry of melodies and harmonies, showcasing Bruckner's penchant for expansive themes, occasionally reminiscent of Wagnerian leitmotifs.

Throughout the work, subtle hints of Wagnerian harmonic daring can be detected, especially in the Quintet's nuanced use of chromaticism and expansive thematic development. Bruckner, influenced by Wagner's innovative techniques, subtly integrates these elements into his own unique compositional style.

In the Adagio - a movement that rivals the expanses of Bruckner’s symphonic slow movements -, the emotional depth and poignant harmonic progressions echo Bruckner's admiration for Wagner's ability to evoke profound sentiments through music.

This work, often overshadowed by Bruckner's symphonic achievements, remains a compelling testament to his mastery in the realm of smaller ensembles, where Wagner's influence subtly intertwines with Bruckner's unique musical idiom.